{"id":843,"date":"2016-03-02T06:00:02","date_gmt":"2016-03-02T06:00:02","guid":{"rendered":"http:\/\/www.timwyatt.ca\/test\/?p=843"},"modified":"2016-03-03T02:01:23","modified_gmt":"2016-03-03T02:01:23","slug":"la-sera-music-for-listening-to-music-to-2","status":"publish","type":"post","link":"https:\/\/www.timwyatt.ca\/test\/?p=843","title":{"rendered":"La Sera: Music for Listening to Music to"},"content":{"rendered":"<p dir=\"ltr\">Calling an album<i> Music for Listening to Music to<\/i> seems at best a throwaway line, at worst an unfortunate, self-directed neg. La Sera&#8217;s fourth album, its first with singer\/bassist Katy Goodman&#8217;s husband Todd Wisenbaker officially on board, does itself at least one disservice with it, subtly highlighting that this is La Sera&#8217;s most tentative-sounding outing. Produced by <a href=\"http:\/\/pitchfork.com\/artists\/18-ryan-adams\/\" target=\"_blank\">Ryan Adams<\/a>\u00a0in the sole week he was able to spare from a <a href=\"http:\/\/www.rollingstone.com\/music\/news\/how-ryan-adams-bromance-led-to-1989-cover-classic-la-sera-lp-20151029\" rel=\"nofollow\" target=\"_blank\">demanding schedule<\/a>, <i>Music<\/i> finds the line separating &#8220;casual-sounding&#8221; from &#8220;underbaked&#8221; and plays hopscotch.<\/p>\n<p dir=\"ltr\">That concentrated week with Adams produced a coherent sound, one that cleaves to Adams&#8217; alt-country wheelhouse. At their best, the duo harnesses wavering <a href=\"http:\/\/pitchfork.com\/artists\/2903-ennio-morricone\/\" target=\"_blank\">Ennio Morricone<\/a> guitar and pairs it with indie pop pathos. &#8220;That&#8217;s my mistake,&#8221; Goodman allows mournfully in &#8220;Begins to Rain,&#8221; as duelling bright guitars whine. Yet Adams&#8217; whims might be responsible for some of the weaker inclinations of the record: &#8220;I was certain that I could help her lose control a little bit more,&#8221; he said of Goodman&#8217;s vocal performance.<\/p>\n<p dir=\"ltr\">He&#8217;s done that, but it wasn&#8217;t a favor. On jangling opener &#8220;High Notes,&#8221; Goodman&#8217;s trill is less poised than we&#8217;re accustomed to hearing. Whether losing purchase on a sustained note or dashing off the final syllables of a verse (&#8220;I&#8217;m sorry\/ Is the song too slow?&#8221; goes one breathless, ironic phrase), the ex-<a href=\"http:\/\/pitchfork.com\/artists\/19442-vivian-girls\/\" target=\"_blank\">Vivian Girls<\/a> bassist&#8217;s warble feels thin and skittish. Instead of embodying the pursed-lips defiance of its lyrics, the song lands like a just-OK bet thrown onto the bar. The difference between the voice pushed beyond its limits here and its smooth nonchalance on 2012&#8217;s<a href=\"http:\/\/pitchfork.com\/reviews\/albums\/16511-sees-the-light\/\" target=\"_blank\"><i> Sees the Light<\/i><\/a> or the breezy multitracked comings and goings on the <a href=\"http:\/\/pitchfork.com\/reviews\/albums\/15108-la-sera\/\" target=\"_blank\">self-titled 2011 LP<\/a> is noticeable.<\/p>\n<p dir=\"ltr\">The band still has a good feel for a certain kind of song: Wisenbaker&#8217;s nimble, reverb&#8217;ed guitars and Goodman&#8217;s coltish vocal line makes <i>Music<\/i> sound like nothing so much as the soundtrack to a &#8217;90s high-school dance. From the descending bluesy riff of &#8220;I Need an Angel&#8221; to the languid sway of &#8220;Take My Heart,&#8221; the best songs recall nervous sweat, skittish dancing, and hopeful heartbreak. A notable exception to this mood is &#8220;Shadow of Your Love,&#8221; which echoes hauntingly as if from a jukebox somewhere in Gene Pitney&#8217;s West.<\/p>\n<p dir=\"ltr\">Wisenbaker turns a few of the record&#8217;s songs into duets, with mixed results. &#8220;I would do anything for you to love me,&#8221; he beseeches Goodman in &#8220;Angel,&#8221; a boy whose snarl disguises pain. The spurning-and-supplication interplay in this duet is fun, but the song peters out, turning the time-honored two-chord guitar outro into an extended shrug. In &#8220;One True Love&#8221; his singing battles his guitar low in the mix, bringing to mind the guy from accounts who doesn&#8217;t really want to be at karaoke. By contrast, Goodman&#8217;s angelic peal soars, her counterposition distant as a mirage.<\/p>\n<p>As with the record&#8217;s title, closing track, &#8220;Too Little Too Late&#8221; accidentally invites you to agree with the sentiment. Over simple, pretty arpeggiation, Goodman sings with assurance, finally settled and at ease. La Sera&#8217;s experiment with a new musical direction, line-up, and producer is by no means a failure, but, being the product of a logistical opportunity, comes across as more like a short stop on the way to something more solid and definitive.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Calling an album Music for Listening to Music to seems at best a throwaway line, at worst an unfortunate, self-directed neg. La Sera&#8217;s fourth album, its first with singer\/bassist Katy Goodman&#8217;s husband Todd Wisenbaker officially&hellip;<\/p>\n<p><a class=\"readmore\" href=\"https:\/\/www.timwyatt.ca\/test\/?p=843\">Read More<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-843","post","type-post","status-publish","format-standard","hentry","category-pitchfork","comments-off"],"_links":{"self":[{"href":"https:\/\/www.timwyatt.ca\/test\/index.php?rest_route=\/wp\/v2\/posts\/843"}],"collection":[{"href":"https:\/\/www.timwyatt.ca\/test\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.timwyatt.ca\/test\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.timwyatt.ca\/test\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.timwyatt.ca\/test\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=843"}],"version-history":[{"count":1,"href":"https:\/\/www.timwyatt.ca\/test\/index.php?rest_route=\/wp\/v2\/posts\/843\/revisions"}],"predecessor-version":[{"id":844,"href":"https:\/\/www.timwyatt.ca\/test\/index.php?rest_route=\/wp\/v2\/posts\/843\/revisions\/844"}],"wp:attachment":[{"href":"https:\/\/www.timwyatt.ca\/test\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.timwyatt.ca\/test\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.timwyatt.ca\/test\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}